EDITORIAL PROJECTS SHAPED BY CREATIVE DIRECTION AND VISUAL NARRATIVE.
A curated selection of editorial series developed as complete visual worlds, each one built around a central concept, a point of view and a defined creative direction.
C R E A T I V E S T U D I E S
THE RED OBJECT
A beauty-led editorial project built around the apple as a polished object of desire. The series explores gesture, repetition and high-gloss surfaces, placing fruit, skin and jewellery within the same visual language of adornment, appetite and control.
THE SOFT PARADE
An editorial project built around theatrical volume, pastel ceremonial dress and a cast of characters suspended between fantasy and spectacle. The series develops a visual world of pale animals, sculptural garments and fragile grandeur, where fashion becomes part costume, part ritual and part dream.
THE HARD LINE
An editorial project built around architectural tailoring, sharp contrast and controlled urban tension. The series frames the body through elongated silhouettes, structured coats and severe monochrome environments, turning wardrobe into a study of restraint, movement and power.
ORNAMENTAL DISCIPLINE
An editorial project built around jewellery as structure rather than decoration. In stark black and white, faces, hands, flowers and polished hair are treated as formal elements, creating a study of restraint, symmetry and ornamental power.
THE FADING COURT
An editorial project built around baroque dress, floral excess and the fragile grandeur of a disappearing court. Moving between ornate interiors and overgrown gardens, the series treats garments as ceremonial relics — part couture, part bloom, part portrait of aristocratic decay.
THE OPTICAL BODY
An editorial project built around graphic contrast, hard light and the body as a line of tension. The series reduces fashion to gesture, surface and silhouette, using black and white, optical pattern and athletic posture to create a visual language of speed, control and physical intensity.
MORPHO
An editorial project built around transformation, sculptural form and a dark metamorphic aesthetic. Through severe silhouettes, elongated bodies and controlled shadow, the series constructs a visual world where fashion feels ritual, otherworldly and in constant mutation.
BLUE CURRENT
An editorial project built around movement, exposed skin and liquid blue drapery. Set against a black void, the series turns fabric into a current around the body, balancing cold light, sharp beauty and fluid sculptural form.
THE PALE PASTORAL
An editorial project shaped around pastoral fantasy, painted skies and soft ceremonial dress. The series stages innocence as a constructed image, pairing floral volumes, bonneted silhouettes and animal presence with a controlled, almost artificial sweetness.
THE EXTENDED FORM
An editorial project built around draped fabric, negative space and the body as an architectural extension. The series uses black and white, elongated gesture and sculptural cloth to create a restrained visual language between portrait, movement and ceremonial stillness.
THE CLOSE SURFACE
An editorial beauty project built around extreme proximity, skin texture and reflective cosmetic detail. Through cropped faces, direct gaze and softened light, the series turns the face into a study of surface, intimacy and controlled vulnerability.
THE AMBER VEIL
An editorial project built around translucency, gloss and the sensorial language of fruit and skin. Moving between beauty close-ups, pear forms and liquid-like objects, the series treats sweetness as a visual material — stretched, poured and worn across the face.
GRAPHIC CEREMONY
An editorial project built around monochrome ornament, textile structure and ceremonial presence. Through bold pattern, sculptural jewellery, fringe and controlled posture, the series creates a graphic language where fashion becomes both adornment and architecture.
PETAL THEORY
An editorial beauty project built around chromatic dialogue between eye makeup and floral form. Pairing saturated close-ups with iris petals, the series treats colour as a precise visual language, moving between pigment, texture and botanical reference.
DARK LACQUER
An editorial project built around gloss, leather and the seductive codes of dark luxury. Moving between lips, patent surfaces, sculptural outerwear and intimate detail, the series creates a visual language of polish, shadow and controlled desire.
THE GARDEN SUITE
An editorial project built around cultivated gardens, pastel tailoring and the quiet codes of estate elegance. The series places refined wardrobe, soft light and floral surroundings within a controlled visual world of leisure, delicacy and polished femininity.
THE DOUBLE LOVERS
An editorial project built around dual presence, mirrored gesture and the tension between intimacy and distance. Through monochrome grain, wind-torn texture and layered garments, the series treats the two figures as a single divided image — fragile, severe and quietly unresolved.
NIGHT PULSE